The thought that something could exist in eternity – in Latin "in seculum" – has always provided grounds for contemplation and ecstasy. If there is music that comes closest to the sound of eternity, it is certainly the early polyphonic organum compositions of Master Perotin at the threshold of the 12th to the 13th century, designed for the newly completed Gothic choir area of Notre Dame in Paris. How wonderfully the magic of early polyphony can also unfold in Cologne's stone sacred buildings thanks to its overtone spectrum is now demonstrated by the ensemble Nusmido in the Christuskirche. Here, secular spring emotions intertwine with the Easter story, and the Occitan troubadour culture merges with the polyphonic liturgical chants at the Paris cathedral. The three musicians explore the spaces between a mythical to mystical monumentality and a lively form of music-making, which repeatedly proves to be a deeply moving and moving communal experience at its core.

On the same evening, the concert by Compagnia di Punto "Gustav Mahler and Music of Yoga - Perspectives on Human Existence" takes place from 7 to 8 PM in Neu St. Alban. Combination tickets for both events are available.

Cast:

Ensemble Nusmido - Martin Erhardt, Milo Machover, and Ivo Berg – vocals and instruments

Program:

Eternity in the music of the 12th and 13th centuries, overtone spectrum in sacred buildings