After staging "Doctor Mother Faust," Selen Kara continues her critical engagement with the classic stage canon and takes on William Shakespeare's "Hamlet." It is not only the tragedy of a hesitant young man who doubts for too long and thus fails to free himself from the mechanisms of the state, such as revenge. It is also a lesson about the machinery of a politics that does not want to see alternatives and consequently produces nothing but destruction. It is precisely at this point that Selen Kara engages with "Hamlet/Ophelia." Her production lays bare that machinery and questions it in this way.